Controversial AI art piece from 2022 lacks human authorship required for registration.
We’re gonna have some juicy legal battles when Hollywood start leveraging generative AI more and more
The article says that he could have copyrighted the work if he disclaimed the AI generated source images in his application. The collage he created is copyrightable but he can’t claim copyright on the source images because they were not created by a human. If someone were to take his collage, he’d still be protected.
What’s significant about this is that this means that you can’t simply copyright an image you had ai generate from a prompt, there needs to be some kind of transformation, and if someone else got ahold of the original AI image before transformation they could use it freely as public domain.
What happens if I use AI to generate images and then paint them? This is so confusing
If you compare the AI image that was used with the image that one the price after the artist enhanced it to that level you could argue that paintings from sketches are not copyright-able
Well if the sketch was made by the artist then no you can’t, and if the sketch wasn’t then the copyright board has a right to know, and he didn’t disclose the original image.
Idk if he has shown the ai image (which isn’t copyright-able) but it was discloed that AI was used in the process
He’s allowed to copyright it as a collage, just not claim ownership to the source images.
When you say a painting from a sketch, what do you mean? Is it a sketch from another artist? If so, you can still copyright the painting, you just can’t claim ownership of the sketch, because you didn’t make it.
Why do photographers get copyright over their pictures then?
They’re just pointing a camera at something and pressing a button.AI is a tool like any other.
Because the human element is in everything they had to do to set up the photograph, from physically going to the location, to setting up the camera properly, to ensuring the right lighting, etc.
In an AI generated image, the only human element is in putting in a prompt(s) and selecting which picture you want. The AI made the art, not you, so only the enhancements on it are copywritable because those are the human element you added.
This scenario is closer to me asking why can’t I claim copyright over the objects in my photograph, be
This scenario is closer to me asking why I can’t claim the copyright of the things I took a photograph of, and only the photograph itself. The answer usually being because I didn’t make those things, somebody/something else did, I only made the photo.
Edit: Posted this without realising I hadn’t finished my last paragraph. Oops
It’s honestly pretty much the same with ai, there’s lots of settings, tweaking, prompt writing, masking and so on… that you need to set up in order to get the result you desire.
A photographer can take shitty pictures and you can make shitty stuff with AI but you can also use both tools to make what you want and put lots of work into it.
The difference is it’s not you making the art.
The photographer is the one making the photo, it is their skill in doing ehat I described above that directly makes the photo. Whereas your prompts, tweaking, etc. are instructions for an AI to make the scenery for you based on other people’s artwork.
I actually have a better analogy for you…
If I trained a monkey to take photos, no matter how good my instructions or the resulting photo are, I don’t own those photos, the monkey does. Though in actuality, the work goes to the public domain in lieu as non-human animals cannot claim copyright.
If you edit that monkey’s photo, you own the edit, but you still don’t own the photo because the monkey took it.
The same should, does currently seem to, apply to AI. It is especially true when that AI is trained on information you don’t hold copyright or licensing for.
Actually… If an animal you own/trained makes art… you did get to have the copyright to the art, until recently with these same legal developments. Now it’s less clear.
I also agree more with the other posters interpretation in general. We copyright art made by random chance emergent effects (Polluck et al.), process based art (Morris Louis et al.), performance art (so many examples… Adrian Piper comes to mind), ephemeral art, math art, and photography, as the poster says. None of those artists are fully in control of every aspect of the final project- the art makes itself, in part, in each example.
If a human uses a math equation for the geometric output of a printer, and they tweak the variables to get the best looking output, we consider that art by law. Ai is exactly the same.
It’s funny, I find that illustrators hate ai art, but “studio” artists (for lack of a better term) usually adore it
Actually… If an animal you own/trained makes art… you did get to have the copyright to the art, until recently with these same legal developments. Now it’s less clear.
If you’re referring to Wikimedia’s infamous Monkey Selfie Dispute, which is the case I’m most aware of, then the reason its less clear is because its hard to determine the sufficient amount of human creativity required to render a human copyright over an animals work.
I’d argue that last bit doesn’t apply to the AI, because while you do provide inspiration in terms of your prompting, tweaking, etc., it is ultimately always the AI that interprets those prompts and creates the artwork. Supervising an AI is not the same thing as setting up and taking a photograph, or drawing a painting.
We copyright art made by random chance emergent effects (Polluck et al.), process based art (Morris Louis et al.), performance art (so many examples… Adrian Piper comes to mind), ephemeral art, math art, and photography, as the poster says. None of those artists are fully in control of every aspect of the final project- the art makes itself, in part, in each example.
If you’re going to cite artists, it would be a good idea to at least link their work for context for those who aren’t in the know… As I don’t know these artists, I can’t make an informed response, so I’ll move on.
If a human uses a math equation for the geometric output of a printer, and they tweak the variables to get the best looking output, we consider that art by law. Ai is exactly the same.
There’s a big difference between a human designing a math formula to output a desired geometry, and a human instructing an AI to do the same.
By having the AI do the artistic work, it’ll always be the one making the artistic choices based on your instruction, and therefore the art is not yours to own.
Actually, that’s a really good analogy, and it helped me think about this in a different way.
What if the monkey is the camera in this situation, and the training the monkey part is like designing the sensor on the camera. You can copyright the sensor design(AI Model), and the photo taken using the sensor (output), so the same should apply to AI art, shouldn’t it?
You’re losing the analogy here because these things aren’t analogous. You can only copyright what comes out of the sensor because you took the photograph. Not everything that comes out of a camera sensor is copyrightable, such as photos taken by non-humans.
There’s a fundemental difference between a tool that functions directly as a consequence of what you do, and an independent thing that acts based on your instruction. When you take a photo, you have a direct hand in making it - when you direct an AI to make art, it is the one making the art, you just choose what it makes.
When you take a photo, you have a direct hand in making it - when you direct an AI to make art, it is the one making the art, you just choose what it makes.
I understand what you mean, but you’re still directing the Camera; you’re placing it, adjusting the shot, perfecting lighting etc. Isn’t AI art the same? You have a direct hand in making what you want; through prompting, controlnet, Loras and whatever new thing comes along.
No, because the human involvement in creating AI art is so little that it’s considered de minimis --i.e. so minimal that it’s not worth talking into account. All you’re doing is putting a prompt into the generator–regardless of how much time and effort you put into crafting the prompt, it’s the AI interpreting that prompt and deciding how to convert it into an image, not you. In comparison, when you take a photograph, you’re interpreting the scene, you’re deciding that the object you’re photographing is interesting enough for a photo, you’re deciding what should and shouldn’t be in the shot, you’re deciding the composition of the shot, and you’re deciding what settings and filters to use in the shot.
It’s like the difference between someone taking a sketch of a model and making 20 revisions/alterations to the sketch before inking/coloring it, and a picky commissioner paying an artist to draw something and asking the artist to make 20 revisions before approving color/lines.
The camera simply puts what you see through the viewfinder into a form that can be stored, you’re the one who decides everything about the shot.
Whereas no matter how good your prompting is, it is ultimately the AI who interprets your parameters, who creates the images for you. It is the one doing the artistic work.
Do you not notice the difference? As I said in my last reply, your camera is a tool that functions directly as a consequence of what you do. An AI acts independently of you based on your instruction. It is not the same thing.
Also, I absolutely agree with @Eccitaze
Because photographs don’t require other people photographs to work. It just requires the labour of the engineers at Nikon and you payed them by buying the camera.
Use an AI algorithm with no training set and see how good your tool is.
Did you know that it is illegal to take a photograph of the Eiffel tower at night? France lacks the right of panorama, and the lighting system was designed by someone still living. So photographs do require violating copyright law sometimes.
no no. You are not REQUIRED to break other peoples copyright in order to produce something with a camera. It is something you CAN do if you want to. AI literally cant function without a library of other peoples photos.
Someone else brought this up in this thread and it is the only circumstance should be able to copyright an AI artwork. If you own the copyright to every single piece of art in the training data. If I take 10.000 photos that are mine and feed them into an AI that produces more photos that are entirely based on my work then it should be copyrightable.
Everything in this world is owned by someone, either privately or by the government. (Well, astrophotography is an exception, but I did say ‘in this world’) You CANNOT take a photo without pointing it at something that is owned by someone. Is photography theft then?
Owning something and owning the copyright to something isn’t the same. You cant just make insane claims about something and expect me to engage with it. You are fully capable of taking photos that you own with the current copyright framework or photographers wouldnt be a profession and nothing would have pictures of anything.
And, as you said, you are fully capable of taking images that you own with the current copyright framework and creating legal AI images. If you don’t see the parallel between the two concepts and instead revert to insults and name calling, well, then I think I’ll just invoke “don’t feed trolls” and move on.
What insults and name calling? Shit, If I had known that you were this fragile I wouldn’t have bothered to respond properly and just called you retarded.
Let’s break down some of the confusion you’re experiencing.
- When it comes to buildings there is indeed copyright on the building itself. The question is did you get a usage license from the owner to photograph the building for your purposes? For example if I were to get a written usage license for the lighting of the Eiffel Tower at night, and a location permit from the city I would be able to photograph it. This is common in commercial photography with contracts known as property releases.
- Theft in regards to photography usually means taking photographs of classified or trade secrets. General photographing of buildings in public spaces would not qualify as theft but copyright violation as per the previous example.
If you want to learn more you can google “photography usage rights” or “photography license agreement” and deep dive the untold number of blog posts about it. You can check out this blog post for a crash course if you need good starting point.
If books are more your fancy there’s Nancy Wolff’s The Professional Photographer’s Legal Handbook and the American Society of Media Photographer’s Professional Business Practices in Photography; both are pretty old but a very easy to understand. John Harrington’s Best Business Practices for Photographers also goes into detail and is more recent, but very broad in what it covers. Technically, there’s the demo for fotobiz X which will let you make a sample contract from their templates.
I’m sure you’ll find more resources but these books were my go-tos when I was working as a photographer. If you feel like socializing you check out your local APA (American Photographic Artists) or ASMP (American Society of Photographic Artists) chapters. Not sure if membership is still a requirement for attending events but it doesn’t hurt to ask.
The scene isn’t copyrighted, anyone could go to the scene (theoretically) and take their own photo from a different angle. What’s copyrighted is the expression that went into staging the shot.
An AI tool is the one doing the creative expression when generating its images is the argument. The prompt is where the creative expression of the user ends, and copyrighting just a phrase seems ridiculous. I tend to agree with these sort of arguments, especially when models like this are often trained on other people’s copyright work.
This is the best summary I could come up with:
Because Mr. Allen is unwilling to disclaim the AI-generated material, the Work cannot be registered as submitted," the office wrote in its decision.
In this case, “disclaim” refers to the act of formally renouncing or giving up any claim to the ownership or authorship of the AI-generated content in the work.
In August 2022, Artist Jason M. Allen created the piece in question, titled Theatre D’opera Spatial, using the Midjourney image synthesis service, which was relatively new at the time.
The image depicting a futuristic royal scene won top prize in the fair’s “Digital Arts/Digitally Manipulated Photography” category.
In his appeal, Allen claimed that “the Office is placing a value judgment on the utility of various tools” and that denying copyright protection for AI-generated artwork would result in a “void of ownership.”
More recently, it also denied copyright registration for an image that computer scientist Stephen Thaler claimed was autonomously generated by his AI system.
The original article contains 536 words, the summary contains 155 words. Saved 71%. I’m a bot and I’m open source!
Am I the only one that think the longue they reject it, the more it will participate to it’s story behind, and make it worth more and more, and make it more and more “outrageous” and continue etc to make it have more worth?
US has a shitty copyright system. Got it.
Cool. Ugly ass Ai trash
