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Joined 1 year ago
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Cake day: June 28th, 2023

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  • I also think there is something to it just being the 90s or so and not having much choice.

    Absolutely. I enjoyed and played a lot out of King of Dragon Pass back in the day. Yesterday I sat down to finally play its spiritual successor Six Ages: Ride Like the Wind. From what I remember from KoDP it plays exactly the same (at least during the first hour). Yet I couldn’t force myself to keep playing it. Same way nowadays I can’t seem to get hooked with genres I used to play a ton as a kid: RTS games like Age of Empires II and Warcraft 3, life sims like The Sims, point & click graphic adventures like Monkey Island, traditional roguelikes, city builders, etc. Other genres I try to get back into and I do manage to play a ton of hours of but I’m never able to finish like when I was young (e.g. JRPGs)

    When I try to play many of those games I tend to feel kinda impatient and wanting to use my limited time to play something else that I feel I might enjoy better. A good modern 4X game with lots of mod support like Stellaris or Civ6 instead of RTS games which have always felt a bit clunky to me. Short narrative games like Citizen Sleeper or Roadwarden instead of longer ones I’m not able to finish. Any addictive modern roguelite, especially if it features mechanics I particularly like (like deckbuilding and turn-based combat). If I ever feel interested to play a life sim or a city builder nowadays it has to feature more RPG elements and/or iterative elements and/or deckbuilding and a very compelling setting to me. And so on.

    It feels like many of the newer genres (or the updated versions of old genres) are just more polished and fine-tuned than genres that used to be popular in the 90s and the 2000s. They just feel better to play. And to be fair in some cases they might be engineered to be more addicting, too. Like, I did finish Thimbleweed Park some years ago but I feel like nowadays no one is going to play witty point & click graphic adventure games with obscure puzzles if they can play a nice-looking adventure game filled with gacha waifus.





  • People here are just gonna tell you to leave (I have done so myself) but if you can’t for whatever reason something that can help is an extension like Blue Blocker which automatically blocks (or you can set it to mute) blue check marks as you encounter them. That way you don’t give them money for their horrible baits. While I was at Twitter waiting until the people I followed shared their new socials (sadly most went to BlueSky instead of Mastodon so I lost them anyway) I used Blue Blocker in that manner. You can set exceptions for certain accounts tho I didn’t, it mercilessly muted all checkmarks from my feed and revealed the bare Twitter behind. The result was somewhat like old Twitter at first but eventually it does get kinda slow as most of the valuable accounts become inactive. On the bright side that made leaving so much easier, so if you want to leave but need a motivator there’s one that might help you.








  • These are all hunches. I’ll add my own: he was initially just posturing about buying it but when he was forced to do it he was motivated by many things (his personal dislike of Twitter’s userbase -which was only partly leftist though it was a very vocal and hip even if sometimes unhinged and somewhat puritanical brand of leftism-, what he perceives happened to his daughter, the Saudi interests, his “I’m not owned! I’m not owned!” personality, etc.). Motivated to do what? Well initially it seems to me he wanted to transform it into more of a right-wing Elon cult (and he somewhat succeeded with the right-wing part). But the mass reaction was a destruction of his reputation. Before this he was usually clowned just by leftists but now it’s by a good chunk of the general public. My hunch is that he has started to like more and more the idea that he is “sabotaging Twitter from the inside” as revenge for the aforementioned reasons or just “for the lulz” (it seems he likes to think he does grave things for the lulz, maybe it’s desperation to fit in or cope). Wether this intentional sabotage is something that crossed his mind from the very start or something he picked up from his fans (“he… he can’t be taking these kinds of decisions, right guys? He’s a genius! He must be doing it all on purpose! He wants to tank Twitter”) it does sound like something that mends his ego a bit and also the only move that could maybe help restore his old PR image of brilliant player, real life Tony Stark.