I’ll go first. Mine is that I can’t stand the Deadpool movies. They are self aware and self referential to an obnoxious degree. It’s like being continually reminded that I am in a movie. I swear the success of that movie has directly lead to every blockbuster having to have a joke every 30 seconds
Horror films are where art flourishes and it has a huge culture of being outside of Hollywood which is just a plus. Also the acting is usually way better
Most horror movies have worse acting than a porno.
There is no accounting for taste. Who’s to say what’s a better actor?!
Amazing, every word is wrong
Terminator is better than Terminator 2, and as cool as it is Terminator 2 should never have been made (or should have a different script).
I know the mob is raising the pitchfork, but hear me out, there are two main ways time travel can solve the grandparent paradox, these are Singular Timeline (i.e. something will prevent you from killing your grandfather) or Multiple Timeline (you kill him but in doing so you created an alternate timeline). Terminator 2 is clearly a MT model, because they delay the rise of Skynet, but Terminator is a ST movie. The way you can understand it’s an ST is because the cause-consequences form a perfect cycle (which couldn’t happen on an MT story), i.e. Reese goes back to save Sarah -> Reese impregnates Sarah and teaches her how to defend herself from Terminators and avoid Skynet -> Sarah gives birth to and teaches John -> John uses the knowledge to start a resistance -> The resistance is so strong that Skynet sends a Terminator back in time to kill Sarah -> Reese goes back to save Sarah…
The awesome thing about Terminator is how you only realise this at the end of the Movie, that nothing they did mattered, because that’s what happened before, the timeline is fixed, humanity will suffer but they’ll win eventually.
If Terminator was a MT then the cycle breaks, i.e. there needs to be a beginning, a first time around when the original timeline didn’t had any time travelers. How did that timeline looked like? John couldn’t exist, which means that sending a Terminator back in time to kill Sarah was not possible, Reese couldn’t have gone back without the Terminator technology, which they wouldn’t have unless the resistance was winning, and if they are winning without John, the Terminator must have gone back to kill someone else and when Reese went back he accidentally found Sarah, impregnated her and coincidentally made a better commander for the resistance which accidentally and created a perfect loop so that next time he would be sent back and meet Sarah because she was the target (what are the odds of that). Then why is the movie not about this? Why is the movie about the Nth loop after the timeline was changed? The reason is that Terminator was thought as a ST movie, but when they wanted to write a sequel they for some reason decided to allow changes in the timeline which broke the first movie.
Ah! A fellow holder of the belief that time travel stories are better when they are internally consistent! I hate e.g. Looper for having time travel that makes no goddamn sense. It takes me out of the story when the characters are literally watching the timeline change before them as it magically radiates out from one point. And then our protagonists somehow remember the original timeline… Bah.
…So I must ask - have you seen Primer? If not, maybe you’d like it!
Not to mention that it’s fucking stupid to have all your infiltration units have the exact same face and body. The first movie even showed other terminators with different faces, so why is every T-800 Arnold?
That said, T2 is one of my favorite movies.
My head hurts.
Never watch Primer.
Also Eddie furlong is fucking insufferable
You’ve way over analysed it. It’d be like pissing on Star Wars because the Force has no basis in science.
As someone who enjoys the magic systems of Brandon Sanderson, I do piss on Star Wars for not having a logical basis for The Force.
Actually it’s not that bad. Harry Potter is much worse.
No, the problem is internal consistency, in Star Wars the force works the same way in all films. But imagine if on one movie someone was shown using the force to move objects, and on the next movie the same character was shown trying to reach for something important and failing and not using the force and when asked he replies “it’s not possible to move objects with the force”. That’s the problem here, internal consistency, on one movie it’s said it works one way, on the other it’s said it works differently. I love both movies, I just think T2 shitted on one of the main things from T1.
Except the prequels establish force powers that we never see again and so do the sequels. Like force super speed in the phantom menace.
Films where I don’t recognize a single actor among the whole crew are almost always better than ones where I’ve seen such and such actor in other movies. Just more immersive. And even if they’re not the best actors I’d much prefer that over whatever the hell Chris Prat or Tom Cruise or Leo D are up to.
I knew being faceblind must have some benefit. I often only realise I know an actor when I see their name in the credits. Then again it can take me half a movie to realise there are two men with dark hair, a beard and glasses, so I wouldn’t entirety recommend it.
My experience watching The Departed while almost entirely sober felt like a face blindness simulator. I was baffled when one of the characters that had been killed came back and none of the other characters acknowledged it. Cool movie but so confusing.
So many well known actors play themselves playing the character.
Tom Cruise has employees rewrite movies he’ll be in to make his part more, and more in his style.
He has more acting range and ability than so many other actors
The Mario movie was incredibly mediocre, despite its high production value. I’m talking MCU-levels of truckloads of money spent with shockingly little to show for it.
I watched The Princess Bride and couldn’t understand why it gets so much love. I found it really gruesome and unfunny, and Robin Wright’s princess was bland and unlikable.
Inconceivable 💀
Out of all the bad opinions in this thread, this one legit made my BP rise. Well done at having a terrible opinion lol
Interstellar is a terrible movie that doesn’t say or do anything special and I still don’t understand why anyone thinks it’s so amazing.
I did really like the robot guy though.
The Dark Knight has fucking terrible editing and a lot of bad, hammy acting. The opening bank heist is just bad, with really on-the-nose dialogue delivered pretty badly…even William Fichtner seems like he’s trying a little too hard, and he’s an otherwise good actor.
I know the editing has been covered in some YouTube essay that made the rounds a number of years ago so maybe that’s not such an unpopular opinion, but it really sticks out to me like a sore thumb.
Before anyone gets totally mad at me, I still enjoy the overall story, a lot of the action, and I think both Ledger and Bale (dumb batman voice aside) are great. Also, Morgan Freeman, Michal Caine and whatshisname who plays Harvey Dent are also very good too.
Gonna try to phrase this an inflammatory way:
People who like bad movies have been conditioned by consumerism to not appreciate art. They believe spectacle, humour, and a tight plot are ‘good enough’, and they don’t value thoughtfulness, novelty, beauty, or abrasiveness nearly enough. Film is more than a way to fill time and have fun. Film is more than an explosion, a laugh, and a happy ending.
On an unrelated note: Mad Max: Fury Road is one of my favourite movies.
It’s strange that you said that and then said you liked fury road. I thought fury road was the epitome of spectacle and production value with actual value.
it’s actually spelled film
Santa Claus Conquers the Martians is a cyberpunk movie.
Mars is a dystopian, broken society in which cyberware is so ubiquitous that we only ever see one Martian without visible augmentation. Every character in the movie does what they do for purely selfish reasons, with the exception of the idiot Droppo, the old man Chochem who remembers society for what it was before it went to hell, and the mythological embodiment of generosity himself. When Chochem suggests that Mars needs a Santa Claus, the immediate response isn’t to research and emulate St. Nick, nope. Martian society is so degenerate that the first idea is to commit a crime: to kidnap the jolly old elf. And all of Earth’s governments are incapable of stopping them.
Cyberware, broken society, selfish characters, rampant crime, laughably inadequate government? What genre does that sound like?
When I pointed out that Santa Claus Conquers the Martians predates Blade Runner, the film that most people consider to be the first cyberpunk movie, by some 18 years, at a tabletop session of Cyberpunk 2020, I was less than popular with those assembled.
I decided to not press my luck by pointing out that it came out 4 years before the book Do Androids Dream of Electric Sheep.
Hooray for Santy Claus.
As much as I love Denis Villeneuve, I still love David Lynch’s Dune more. Yes, the acting is spotty, and there were more than a few questionable changes to the plot, but I can’t get that art direction out of my mind. That being said, I haven’t seen part two yet.
The critic rating is better than the audience rating. I’ve never seen a film with a high critic rating that didn’t have something worthwhile about it. But I’ve seen a lot of audience hits that were garbage.
The Godfather, extremely overrated and very boring. Saw it many years ago, and maybe my taste in movies have changed a bit, and I consider rewatching other movies I did not like, but not that one.
Crash? More like Trash.
Also, Avatar fucking blows.
Batman Begins and Dark Knight Rises were boring. Batman & Robin was better than those two.
